Why Entertainment Law Is a Career Worth Watching

In today’s booming entertainment industry, entertainment law sits at the exciting intersection of business affairs, intellectual property, and creativity. With the rise of streaming, independent production companies, and global content platforms, attorneys have new pathways to work with filmmakers, musicians, songwriters, and content creators.

We interviewed Katrina Brede, an attorney and shareholder at Bracepoint Law, an entertainment law firm that advises clients across media and production. From working in-house to launching independent projects, Katrina shares insights into the career path of an entertainment lawyer and how law students and attorneys can break into this dynamic field.

Q: What does a typical day look like for an entertainment law attorney?

A: No two days are the same, and that’s the thrill of it. Entertainment law is essentially business law applied to entertainment companies and creatives. Depending on where a client is in their project cycle, I could be helping form a company, reviewing copyright infringement issues, or drafting distribution contracts.

I work with screenwriters, producers, and directors at various stages. Sometimes they have a script and investors ready but need legal support to form a legal entity. Other times, it’s a completed film needing distribution deals. Every case brings unique legal matters, which makes the job rewarding.

Q: What are your favorite aspects of practicing entertainment law?

A: I thrive at the early stages - when a film project, podcast, or music release is just starting. Helping creatives form a company, hash out operating agreements, and clarify IP ownership makes a real impact. Clients are at their most optimistic during this phase, and I love being part of their journey.

Nothing beats the feeling when a client’s film secures a distribution deal or a songwriter’s track gets traction. I especially enjoy watching independent entertainment companies grow from idea to screen. It’s about helping them build something real - with a solid legal foundation.

Q: Can you share a recent entertainment law project that excited you?

A: I’m inspired by visionary projects that don’t come from big studios. Some clients have full funding, others are working on passion projects - but all aim high. The music industry, for example, is filled with independent artists who are building audiences through social media and streaming platforms.

Seeing a low-budget indie film or song gain traction, knowing what went into it behind the scenes, makes every bit of effort worthwhile. From screenwriting contracts to international distribution agreements, I get to support dreams coming to life.

Q: What are some of the biggest challenges in entertainment law?

A: The challenge is balancing quality legal counsel with budget realities. Independent creators may struggle with fundraising, so it’s important to offer real value while guiding them through complex deals.

For attorneys, especially those going in-house or working at a law firm, keeping up with industry shifts is vital. You need to monitor how social media, streaming, and tech platforms impact IP and distribution. Legal matters are always evolving in this space, from copyright infringement to licensing.

Q: What advice would you give new attorneys or law students breaking into film or music law?

A: First, immerse yourself in the industry. Read Variety, Deadline, and The Hollywood Reporter to learn about current trends. Law students should also familiarize themselves with contracts - you can find samples from SAG-AFTRA that reveal key deal points.

Also, don’t underestimate the power of a solid network. Attend entertainment law events, join media law groups at law school, and connect on platforms like LinkedIn. Build relationships early - this field thrives on who you know.

Q: What legal skill sets are essential in entertainment law practice?

A: You’ll need strong knowledge in intellectual property law, contract law, and business formation. Every film, song, podcast, or script is a form of IP - so knowing how to protect and monetize these assets is non-negotiable.

There’s also crossover with startup law. You’re guiding clients through forming an LLC, hiring contractors, managing budgets, and dealing with rights management. The lifecycle might move faster than a traditional startup, but the principles are similar.

Q: What professional skills should entertainment attorneys cultivate?

A: Negotiation is critical. Whether it’s talent agreements, licensing, or resolving copyright infringement issues, your ability to advocate effectively is everything.

Equally important is marketing. Whether you’re part of a law firm or a solo practitioner, you need to identify your audience and use tools like social media to get your name out there.

Relationship-building is key in this business. Attend industry events, panels, and educational summits. I also encourage attorneys to learn a bit about public policy and lobbying - especially in states without film incentives. Advocate for your clients and the industry.

Q: Do you need to move to New York City or Los Angeles to succeed in entertainment law?

A: Not anymore. While New York City and L.A. are still hubs, production and content creation are booming everywhere. From music industry gigs in Nashville to full-scale productions in Atlanta or Albuquerque, regional opportunities are growing.

Streaming services, podcasts, and digital media content have democratized distribution. Add in strong state film incentives, and suddenly clients in smaller markets are producing nationally relevant content. Entertainment law firms can thrive anywhere - especially those that understand local markets and build genuine relationships.

Conclusion: Build Your Career Path in Entertainment Law

From screenwriters and songwriters to digital producers and musicians, the entertainment industry is overflowing with opportunities - and legal needs. Whether you’re still in law school or transitioning from another field, now is the perfect time to consider specialization in entertainment law.

As Katrina Brede emphasizes, success in this space comes from mastering the legal framework, understanding your clients’ creative worlds, and building authentic, lasting relationships.

Want to get started? Explore trade journals, connect with your local film office, or reach out to an experienced entertainment law firm like Bracepoint Law for guidance.

FAQs About Entertainment Law Careers

What does an entertainment attorney do in the music industry?
They handle contracts, licensing, copyright, and business negotiations for artists, producers, and entertainment companies.

Can I practice entertainment law outside of New York City or Los Angeles?
Yes, thanks to remote production, film incentives, and online platforms, you can work from anywhere and still serve major clients.

What areas of law apply to entertainment attorneys?
Intellectual property law, contracts, employment, tax, and business formation are all essential.

How can law students gain experience in entertainment law?
Read trade media, explore forms libraries, attend events, and consider internships at entertainment law firms or production companies.

What role does social media play in entertainment law?
It’s a key marketing tool for attorneys and a major legal consideration for clients. Understanding platforms’ terms and rights is essential.

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Prior to becoming an attorney, Katrina worked professionally for two decades in film and video production and media management. As an attorney, she concentrates on business formations, intellectual property (copyright, trademarks, and trade dress registrations), and entertainment law. She most enjoys working with clients who are builders, creatives, innovators, and entrepreneurs, the type that inspire her daily. Katrina’s mission is providing clients with the best legal foundation for them to grow their business and fulfill their ambitions. In her spare time, Katrina loves movies, music, reading, writing, sports, traveling, filmmaking, photography, and engaging in robust discussion about all of the above.